I am still having sex with Alex

Katie Price has revealed that she is still having sex with her estranged husband Alex Reid.

The model, who announced that she and Reid were separated in January, confessed that they are still sleeping together.

She said in an interview with ES Magazine: "We're separated. He still comes to the house but we're not together. Do I go and f**k Joe Public or do I go and f**k an ex? Can anyone here tell me that they've never f**ked an ex?"

The 32-year-old admitted that her relationship with ex-husband Peter Andre is completely different to that with Reid.

She added: "We are still friends, we are adult and amicable and he doesn't live at my house. It's completely different from Pete."

Price also claimed that Andre was "probably" still in love with her after he contacted lawyers over an accidental burn their 3-year-old daughter Princess Tiaamii got while on holiday.

She said: "I wish you could see the burn. It is tiny and not painful. She was with my mother and sister in Klosters and I asked them to put her pyjamas in the sauna so they would be warm and cosy for her when she went to bed and she must have followed my mum in and caught her arm.

"If you knew what went on over on Pete's side of things, it is pure evil. He's probably still in f**king love with me. That's the problem. There's a thin line between love and hate."

Love Sex Aur Dhokha

The million dollar question making the rounds is - Does "Love Sex Aur Dhokha" have a story?' The answer is yes. In fact, there are three stories, each of them being shown in episodic manner with 'Love', 'Sex' and 'Dhokha' being the plot drivers for the respective tales

Do they work? Yes, they do though it is apparent that there are ups and downs in the pace of these stories. While each of these stories starts with a bang and has a valid culmination, there is a slight dip that comes in occasionally and makes you pine for some faster movement.

So there is a young couple who fall in love during the shooting of a diploma film, get married secretly and then face the wrath of their family. Since the film is set in a filmmaking school, the presence of a camera right through this story does come across as quite valid.

The second story is about an unemployed young man stationed at a retail shop who takes advantage of a naive girl by capturing their lovemaking moments through a security camera. The third story is about a sting operation where an aspiring dancer gets back on a superstar by capturing the entire casting couch proposal on film. Both these stories have seen quite a few predecessors in real life.

Does the film work with disjointed episodes like this? Certainly yes, if one is willing to drop all preconceived notions about how a feature film should look. This is why after 15 minutes, one has to get used to a shaking camera, sync sound, leading to quite a few audio disturbances and random frame capturing.

However, one does feel that treatment like this comes with its own limitations. Since the film is about how a camera follows the lives of people in every nook and corner, the narrative has to be real and there cannot be any dramatisation of an event.

Nevertheless, this very limitation also works as a strength for Banerjee. Whether it is body language, intimate moments or the framing of a scene, done excellently by Nikos Andritsakis, everything is captured 'as-is'.

Also, be warned that the foul language in the film is as explicit as it gets. Never before in a Hindi film has one heard the kind of cuss words that one hears in "Love Sex Aur Dhokha". Again, quite justified since this is the first film that truly fits into the bracket of 'slice of life'.

"Love Sex Aur Dhokha" couldn't have been what it is without the effort of its cast. Everyone - Anshuman Jha (Rahul), Shruti (Shruti), Raj Kumar Yadav (Adarsh), Neha Chauhan (Rashmi), Arya Devdutta (Naina), Herry Tangri (Loki Local) to Amit Sial (Prabhat) - everyone is superb.

"Love Sex Aur Dhokha" has one factor which completely works for it - its genre which is unconventional, unprecedented and unheard of.

This is a kind of film where a filmmaker can afford to play around without worrying much about universal acceptance. That's exactly the route that "Love Sex Aur Dhokha" takes as it is made for a very niche audience that wants something non-Bollywood.